Background
From the beginning of the 21st century, the United States has been growing interest in Chinese contemporary art. But this power is derived from the interest in China's economy and the growing integration of world economy, This interest is derived from curators, rather than from American artists. And this kind of motive usually need to go up an experience from the American commercial arts exhibition. But the United States and Europe simplistic understanding Oriental thinking of the past masters of all art history with Chinese arts. The Westen art field lacks the interest and contact in existing Chinese culture. Western masters saw the history of the narrative of modern art Causing they think nothing of art from China can learn. Although a small number of artists will continue to look for pre-modern and oriental art and thinking of the Interchange, Although the world today is the era of globalization, cultural and travel between the high-speed information flow is very convenient. nowadays,there are still exist in the 1920s and 1930s has been the East-West cultural awareness on the non-symmetry. That is, Chinese contemporary artists to understand their counterparts in the United States and Europe and know what they are doing.